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September 20th, 2000, 07:06 PM
#1
Inactive Member
Not to discourage you, but it would be virtually impossible to observe their normal day without intruding. Especially for such a short time of two days.
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September 20th, 2000, 08:18 PM
#2
Inactive Member
Actually, you're right. I should be more specific about what I'm doing. It isn't necesarily a documentary on these two girls. This is only part of a long series I am putting together. I guess I should say it is an objective report. I have researched and filmed alot of footage just not this one aspect of the subject. People seem to act different when a camera is in thier face. Any suggestions on how to make them feel at ease a little?
Ruthie
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September 20th, 2000, 08:49 PM
#3
Inactive Member
Ruthie
Why not film them for a day for some practice and let them get used to the camera on them all the time. By the time you come to do it for real they will almost forget the camera is there. Also a good idea is to switch off the tally light so they dont know when your filming and when your not!
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September 21st, 2000, 03:47 AM
#4
Inactive Member
Need some advice...I'm shooting my first documentary in two days in New York. I have everything ready (cameras, crew, portable lighting...) I will be following two girls for two days. I have a list of topics I would like to discuss with them, but other than that I am looking to capture their normal everyday routine. Any last minute words of wisdom? What is the best way to shoot so Im not intruding on their life, but observing?
Thanks,
Ruthie
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September 21st, 2000, 08:31 AM
#5
eddie
Guest
perhaps you could let them film themselves?
Let them play with the camera, and find out how it works, so they are used to it.
In the final cut you needn't use any of their footage, but it would make them feel more comfortable having a camera around....
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September 21st, 2000, 04:48 PM
#6
Inactive Member
If you have a lot of cash, buy some type of hidden/concealed video camera like the sun glasses Tom Cruise had in Mission Impossible. If not, then you'll just have to get them decensitized to you and the camera.
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September 23rd, 2000, 08:25 PM
#7
Inactive Member
Whatever you do, DO NOT, as the director, interupt with "uh huh" and "okay" when they are talking. Try to ask questions that will create monologues. Strive to make your documentary feel more like a movie and less like a series of interviews.
Good luck. Sounds like it'll be a lot of fun.
-N. Foster Tyler
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September 24th, 2000, 04:16 AM
#8
Inactive Member
The different color can be put on later using a computer ,so dont waste footage by doing it in the camera! Why not do a following around shoot followed by a tripod straight-on questions session (maybe highlighting the events of the day and why they happened) Keep the questions "open" i.e dont ask a question that has a yes/no answer. Dont interupt in any way because it will be murder to edit. When editing simply butt the edited segments together, then hide the jump cuts(in vision) with a cutaway(vision only).
marti
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September 24th, 2000, 03:24 PM
#9
Inactive Member
Here's something that I moticed in other documentarys. Try to have different kind of footage. For instance, most of the film can be in color, but some parts can be B&W, or have a red hue.
-Ivan
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"A place for everything and everything in it's place".
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September 26th, 2000, 09:10 PM
#10
Inactive Member
Thanks for your suggestions guys...the shooting went well (for my firtst try). I found that people want to always narrate what they are doing on camera instead of just doing it. A little annoying and ruins the the feel of an observer.
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